Daily Mash Writer Very Proud of Self
Yesterday freelance writer Adam Summersgate, 34 experienced a swell of pride after uploading a fake news story onto the popular satirical website “The Daily Mash”. The piece – a faux eye witness account of Jodie Marsh literally scraping the bottom of a barrel - is Mr Summersgate’s third contribution to the website which publishes fake news articles in order to satirise public figures. Mr Summersgate is said to have been particularly proud of his use of “journalistic language” which he felt gave the article a “feeling of gravitas”. He also opined his self satisfaction at having skewered his target (Marsh, Glamour Model) with expert precision.
“Journalistic language”
The new found self satisfaction was noted by many of Mr Summersgate’s friends including a Mrs Danielle Clough who said of the writer, “Yeah, he wrote an article about Jordan or something, he seemed pretty pleased with himself, which is nice because he’s been down lately. Apparently work on his novel has ground to a complete halt.” While there are no concrete plans yet, Mr Summersgate plans to follow up this article with a fake “Missing Poster” asking if anybody has seen “Nick Clegg’s Spine”. For the time being, however, Mr Summersgate plans to have a cup of tea and read a copy of “The Onion”.
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Guardian Chess: Lagging the Queen
So to look at this play in the cold light of day, you might think the safe white pawn is due for a classic “Angolan” Knight over at B3. But Black’s Double rooks on the A-Train are filed twice over daily and so untouchable with anything but the irredeemable White Queen put to bed over at A7. If the second white pawn gets bolstered twice on the same quarter, the rooks’ “Half Nelson” is skewed toward the “racist” Bishop. The King is a “Sceptical Hooker” for the Rook and can be flipped without employing the third A-pawn. I’ve seen this play twice in my life. Both times the black Queen clenched for triple play. A truly amazing piece of manoeuvring.
I Will Not Give You The F***cking Time!
Josh Olson, writer of “A History of Violence” gives his opinion on time keeping.
Here’s the thing, I will not give you the f***ing time! It’s as simple as that. You want to know what time it is, you see me walking down the street, you ask me for the time, here’s the deal, I will not give you the f***ing time.
I will give you an example from a few years ago. I was in a bar watching the hockey and thinking about how cool it would be if Viggo Mortensen 69-ed with Maria Bello on the stairs. This a****le comes up to me, a friend of a friend, he wants to know the time. He says he is going to see a movie at eight and doesn’t want to be late. He wants to see ”Titan AE” or some bullsh*t, he clearly doesn’t realise that a film can’t be good unless Ed Harris’ eye is all weird in it. Anyway, I look down at my watch and tell him it’s half seven, so he orders another beer. As it turns out, the time was actually five to eight, the guy missed “Treasure Planet” or some bullsh*t and what’s worse, he blamed me. He said I was the one that made him miss “The Emperor’s New Groove” or some bullsh*t. I got phone calls asking: why did you give Scott the wrong time? Well in truth, I shouldn’t. I should have given him the f***ing time. He should have found out the time for himself and gone to see “Fern Gully” or some bullsh*t!
The thing is I worked hard – adapting graphic novels with cafes in them – and this allows me to afford a watch from which I can tell the time. I also have a phone which has a tiny clock in the top right corner, sometimes I look at that to tell the time, is it too much to ask that people consider buying their own watches or phones? I am reminded of the old story where a man asks Pablo Picasso if he knows the way to the nearest town. Picasso kills the man, because Picasso was having an off-day. In many ways that’s a lot like, that a****le in the bar. I f***ing hate that guy…
…No, I will not give you the f***ing time!
WTH! Fringe Gossip Overview
Too Much Culture has been at the Fringe for a few weeks now. Here is a run down of some of the wicked whispers which have been floating around the festival…
Pleasance watering hole Brooke’s Bar is rumoured to be opening a new drinking establishment in Oxford. The bar will be inferior to Oxford’s more famous Bar.
Controversial ditty writer Twät ‘N’ The Posse have been criticised for handing out stickers baring the face of Jim Jeffries. Images of the Australian funny man’s face have been stuck all over town, in some cases obscuring some rather fine images of male genitalia.
The Foster’s Sprit of the Fringe Award is to be awarded to the month of September.
TheFaultyTowersdining experience have added six new dates to their run. They have also announced plans to return next year for “The Little Mo Dining Experience” where diners can experience the joy of being forced to eat Christmas Dinner off the floor by your abusive husband.
Tickets for Daniel Kitson’s one off show at The Stand sold out in seven seconds after he publicised the tickets via a note on a toilet door.
The Pleasance Box Office have announced to be their most profitable month of the year. A spokesperson said: “We have been seriously struggling all year, things were looking really bleak from January to June, we are delighted sales have finally picked up and predict this October to be our busiest yet.”
Dave’s Best Joke of the Fringe Award has been given to the barmaid at The Loft Bar, here is her winning joke: “Customer: How much is a pint of Heineken / Barmaid: A pint.” A spokesman for Dave said “ha ha, good one.”
There is some theatre or something.
Next year “Puppetry of the Penis” is to be performed in 4D. audiences can travel forward in time to see the performers, now in their 60’s, regretting the decision to appear in “Puppetry of the Penis”
The News of the World: The End of a Turbulent Decade
Today The News of the World folded, its last edition will be published on Saturday. Too Much Culture takes a look back at a decade of the paper and some of its more famous stories:
2000: The News of the World launched its famous Name and Shame campaign against paedophiles. The paper would later go on to name and shame those involved in the creation of the Brass Eye: Paedophile special. Ironically, the News of the World’s condemnation of the programme was printed directly opposite a photo of an under age Charlotte Church having sex with a News of the World journalist.
The News of the World’s Anti-Paedophile campaign was however a welcome break from every other newspaper’s pro-paedophile campaign.
2002: The news of the World broke the story that Angus Deaton was involved in match fixing on Have I got News For You. The paper revealed Deaton had received almost eighteen pounds from team captain Ian Hislop , to be given question in advance and to ensure Ross Noble would be on his team. Deaton admitted the allegations and left the show simply saying: “I regret what I have done, but Ross is great, I genuinely don’t know where he gets his ideas from sometimes. A monkey in a tank? What’s all that about?”
2005: Posh and Becks sued the paper for making accusations about their marriage. The couple took umbrage to the headline claiming: “Posh and Becks on the rocks.” As anyone knows, Posh and Becks are usually served neat.
2006: The paper was sued by Ashley Cole for printing a story about him that wasn’t true. At the time a News of the World spokesman said: “It has taken all of our journalistic skill and determination to uncover a story about Ashley Cole which is not true and we are proud of what we have achieved”
2008:The paper alleged that Max Mosley had been indulging in Sado-Masochistic sex with a woman dressed as Prince Harry. The F1 boss won litigation against the newspaper after it was revealed the costume was meant to be of popular stand-up Carrot Top. Mosley then went on to sue Joe’s Kinky Costume Emporium for providing him with inferior sex-play costumes.
2011: The paper was forced into closure after allegations of phone hacking. The paper had supposedly hacked the phones of grieving families and war widows. The paper will be published for the final time on 9th July. A shame, it was about to start its serialisation of previously unpublished pages from Anne Frank’s Diary.
The Writer’s Festival is in full swing giving advice to both aspiring writers and those entrenched in the industry. Too Much Culture eavesdrops on the drama Q&A, although the following advice applies to comedy, drama and “Sirens”.
“Writing is all about killing your babies…”
“Seriously have you ever tried writing with kids bothering you. Sometimes its like ‘yes I know you’ve done a drawing of a cat, but that won’t help me write this hard hitting drama.’ Of course I don’t really mean kill, I mean ‘keep out of my f***** face for a few hours.”
“Don’t get it right, get it writ…”
“Oh no, sorry, that should be ‘don’t get it right get it written’ dammit, I knew I should have waited and made sure that sentence was perfect before I typed it out. I’m such an idiot sometimes.”
“Keep stage directions as brief as possible…”
“Always try and keep stage directions to a minimum. Sometimes I will submit entire scripts with little to now stage directions. One script for “The Accusation” just reads: “Something cruelly tragic happens to a well know British character actor.” That was the whole script, simple, clear and direct. That’s what we should all aspire to be as writers.”
“There is no such thing as writers block…”
When I first started writing, some of the older writers sent me out to buy some tartan paint, some sky hooks and a writer’s block. When I got to the hardware store the guy behind the counter laughed his a*** off at me. A writer’s block isn’t an actual thing. I learned that one the hard way.”
“Know your audience…”
“When “my first children’s drama first aired I asked for the names and addresses of everybody who watched it. I then sent them a questionnaire asking if they liked the show. Its important to know your audience, and ignore the controller of ITV if he calls you dangerously obsessive.”
“Find your voice…”
“Not many people know this, but all the episodes of my dramas are meant to be read in a high pitched Irish accent, but do the BBC listen to my notes? No.”
Too Much Culture’s Annual Picks of the Fringe
Its that time again, Too Much Culture takes a look at the hot shows to see at the Edinburgh Festival. Book now to avoid disappointment…
The “Cheers” Drinking Experience
Sometimes you want to drink where everybody knows your name, and now you can do just that thanks to the “Cheers” dining experience. Chat with Norm, hear Sam’s sports stories. The creator of the interactive experience which also brought us the Britass Empire Squash Experience said: “We haven’t asked anyone if we can do this… But that’s okay isn’t it? Isn’t it? Nah, it’ll be fine.”
The Headliners
The headliner return to the Fringe for their twentieth record breaking year. This year their poster features famous politicians’ faces photo-shopped onto the poster of “The Human Centipede: 2”
Bare All Improv!
You won’t miss this group of bright young things. They’re daring poster features all the performers nude. But when you get there all the performers are all fully clothed. Returning for a third year of “anything can happen” fun Bare All Improv is a must see for fans of wacky comedy and extremely misleading visual metaphors.
Drinky Quizzy Fun
Seven of the best stand ups at the Edinburgh Festival, late night and plenty of booze playing a quiz. The intention of this night is to be a raucous hour of silliness and unprofessionalism. That said if any commissioners do want to make it into a TV Show, that would be great.
Agrophilliacination
A fusion of ballet, street dance and modern dance, Agrophilliacation promises to be an experience as unique as a dance show can be.
Kenneth Henry’s One man Character Cavalcade
More ingenious characters from the star of that thing… Y’know, the one that used to be on BBC 2… No not that. He was on it with the other bloke, no not him, but the man who looks like him… He also did that thing on the Radio? No? One of his characters has a Welsh accent, anyway.
The Disturbing Bagpipers
The Disturbing bag Pipers will be performing throughout the Fringe. They can be heard playing directly outside a venue in which you are trying to enjoy a show. The Disturbing Bagpipers can also be found blocking your path to a venue when you are on a strict timetable and right next to you when you’re trying to f***ing eat.
Puppetry of the Penis
Yep…
So get booking, and Too Much Culture will see you at the festival.
An hilarious Private Eye cartoon about The Turner Prize
The Nominees for the Turner prize have been announced, Private Eye’s resident art’s cartoonist Sponk gives his hilarious perspective on one of the artists.
In Celebration of Victoria Coren’s Poker Column
Inspired by Victoria Coren, Too Much Culture spends the easter weekend playing poker…
I’d like to share with you a play I saw while over in the states. It’s a classic example of how if your river is running dry, don’t twist on the stream in the hope the button will receive a flat call.
So this is how it played out. From the cut I had KD QD. The big blind double tapped a second out of the trap and I (Hoping a Tennessee run would topple Player 1’s Palestine Double-Play) twisted straight for the Dover-Sole putting my 10S to bed over a 7S wand. I don’t need to tell you what happened after this, the KH and QH dipped into the pot early tantalising an early twist out of the raise for 5000, which was of course sent up the river. Player 2 scuppered a perfect 10H split in favour of keeping his blind hand crippled.
Needless to say, once this hand had got soggy even a swift use of the double re-raise he couldn’t get all the 5’s out of the Adriatic steal. But holding a weaker pair out of position will do that to you.
Sometimes I wonder if using the Flat call and raising by 6000 isn’t just as ridiculous as checking for a 1000 call and reversing up the slip stream. But I suppose we all feel like that at after seeing this kind of play.


Here’s the thing, I will not give you the f***ing time! It’s as simple as that. You want to know what time it is, you see me walking down the street, you ask me for the time, here’s the deal, I will not give you the f***ing time.


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